5 stars, rounded up to 4 stars: this is a flawed book that I by turns found irritating and unsatisfying in parts, but Kunzru’s ability to tie it all together and keep me thinking about what I read speaks to its power.

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This is rather an odd section but does link both to the privacy/surveillance theme of much of the book and to the relationship that the narrator falls into in the second half of the novel.

What Anton and his capering friends in their red hats call realism—the truth that they think they understand—is just the cynical operation of power. It is derece quite a year since I arrived in Berlin, and once again I’m lying awake in my bed.

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Shortly after arriving, the narrator becomes fixated on Heinrich von Kleist (the chap on the cover with the Superman laser eyes), an obscure German Romantic poet who committed suicide, with his friend’s wife, on the banks of the Wannsee, near to the retreat a couple centuries ago.

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I spent an hour or so on the internet, falling down various rabbit holes, before I finally hit on one of the things I was looking for, the source of the strange words Carson had spoken kakım he tortured his victim on Blue Lives. Kakım I suspected, they were a quotation, but they didn’t come from some well-known “great devamını oku book,” but a peculiar and recondite writer, Joseph-Marie, Comte bile Maistre.

Kunzur's arguments felt tired, especially in 2020, and serve a merely ornamental function. Take the role of the show Blue Lives in the story. Our narrator watches it with a mix of horror and fascination. He worries that no one has caught on the messages that Anton başmaklık peppered in his show, particularly a troubling quote by Joseph bile Maistre. Our narrator tries to call out Anton, by criticising his show's pessimistic worldview, in which the world is an "abattoir".

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Kayıt olmakla, Koton ile olan etkileşimlerinizden elde ettiğimiz verileri işleme almamız ve size kişiselleştirilmiş bir bâtınerik sunabilmemiz bâtınin Gizlilik Politikasını ikrar etmiş önemliyorsunuz.

Kitapla müteallik getirebileceğim sessiz menfi tenkit ihtimal de Kunzru’nun felsefe mezunu olmasından kaynaklanan okura temelı kavramları aşırı vermiş bazı okurlar açısından yorucu, zorlama ve kitabın bütünlüğü açısından belki dağınık gelmesine niye olur. Benim açımdan da temelı yerlerde fikren bayat bulduğum bölgeler ve olmasaymış daha hayırlı olurmuş dediğim bir kaç konu İnternet sitesi olsa da bu fikirler benim karınin sıkıntı oluşum etmedi ve kitaba zararlı yansımadı. Kitabın kafatan sona denli bıraktığı arayış hissi, yazıcıın kademeli olarak mimarilandırdığı temalar benim dâhilin neşeli ve aynalı bir kıraat reisüveni meydana getirdi. Eklenmiş olarak bazı yerlerde Wolfang Hilbing'in Ben kitabını tekrardan biçimırlamama ne oldu.

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The first half of the book for me was a bit less compelling for me and harder to devamını oku read, but it was entirely necessary and the seeds planted sprout vines that İnternet sitesi descend throughout the text. We are introduced to the writer narrator, entering the Deuter Center for the writing fellowship facing a professional and existential crisis. The narrator is highly self-aware, and being in his head we vacillate between his selfishness, ego, insecurity, hunger for freedom, a heady mix that interacts with his depression and writer’s block. There are some interesting asides and anecdotes – the trip down memory lane into East Berlin Burada and controlled life under Stasi was FASCINATING – but I could get wearied by some of the immersion into German literature and philosophy, although some of that was simply because I was less familiar with the references and it could break my focus to try and outside the text understand what was being referenced.